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Second Day of Auditions 13 December

Wrapping up the first day of auditions, and looking forward to tomorrow. The Rex Team saw many talented professionals, and lots of fresh, and energetic hopefuls.

Didn’t think we would be rolling as much tape, but there was so much worth while to capture. Thank you all for your enthusiasm for the project, and what youbrought to the audition process.

Most showed on time, and Rex was able to get people in on time and, amazingly, out on time. Hopefully, no one felt rushed. Thank you to new Rexers Tess Whittaker, and Recel Bregaudit for keeping Norvell, Sarah, Emile, and myself on perfect time.

The interviews for crew have been amazing. Generation Rex couldn’t be happier with the turnout and the quality of candidates.

NEWS Release
8 December 2008

Contact For Further Information: Sarah
Phone: 757-644-6708
e-mail: tan@rexmotionmedia.tv

Rex Motion Media Announces Auditions for Reality Series
Show to be Shot in Hampton Roads Now in Pre-Production

For Immediate Release. Virginia Beach, VA:

Lights! Camera! Tan! Hampton Roads-based REX Motion Media (RMM) announces auditions to be held this Friday for a half-hour reality series to be shot in and around Hampton Roads. The show is now in pre-production.

“We’re seeking fresh, energetic, young talent to cast in this new reality series,” says REX Motion Media President Norvell Rose. “It’s a fun and funny, PG look at the Hampton Roads tanning lifestyle.” Friday auditions take place at the REX Virginia Beach offices, and the company is considering men and women aged 18 – 30.

The crew is being assembled from top local technicians, and principal photography is set to begin January 2 throughout Hampton Roads.

Scheduled auditions will be at 1642 Pleasure House Road, suite 102, in Virginia Beach.

To schedule an audition or for further audition information, call Sarah at REX Motion Media: 757-644-6708.

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REX Motion Media Video Profiles

Well, here we go again. For the second time REX MotionMedia has topped WellcomeMat.com’s Top 5 Videos of the Week.

Here’s the story in TransWorldNews.com.

Stumble It!

REX On The Move

RexNet.tv is on the move!

Generation Rexers Norvell Rose, Ethan Marten (hey, that’s me!), Sarah Pope, Emile Husson and the whole A-Team of tech and production crew are now reassembled in their larger space, and beginning the third phase of hiring. Rex is in the process of augmenting with additional shooters and editors (hey, that’s you!).

REX has already created these unique situations:

Graduating more than forty Vpros ™ or Video Professionals ™ thus making them VideoActive ™; and setting up a Chesapeake brokerage with scores of quality video content, and its own internet television channel for real estate. Having launched in March of 2009, we believe it is the first in the United States. Armada Hoffler, Drucker & Falk and NFL Star Bruce Smith used Rex to move into the video age. Even the third largest builder in the United States — Centex — came to Rex.

From a global economic standpoint, we are reversing a trend. Rather than outsourcing, we are creating jobs and the template for Internet Television right here in Hampton Roads, Virginia. This is not a call center or a service outlet. These are real, creative, professional jobs.

e-mail if you are interested in becoming part of the Rex Motion Media team.

Play Real Estate Videos at Rex Net TV
Published by sellsius December 10th, 2007 in Real Estate Marketing and Video.

New Advancements in Internet Video From RexNet –
Smith’s Landing at Virginia Tech

December 6th, 2007 | Real Estate Video

New Advancements in Internet Video From RexNet – Smith’s Landing at Virginia Tech

Read Tom Royce’s Blog

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Can you say VideoActive tm.? I knew you could. Linda De La Zerda, Husband Alex, and DeBord Custom Homes President David DeBord can, too. They hit the set — De Bord’s 9557 27th Bay Street in Norfolk’s new East Beach sidewalk community early this a.m., and never looked back. These guys came prepared, and naturally caffeinated. Man, just wind ‘em up, and let ‘em go! What a pleasure. The sun wasn’t cooperating — so we’ll do some exterior pickups this weekend. Yeah, this is a real production, folks. This isn’t hit and run with a shaky hand held. I’m paraphrasing Ms. De La Zerda, but I think it’s fair to say; Hey, you guys really work. This is much harder than I thought, but you make it fun, too. Yep, I hear that a lot. A lesson learned long ago from my baseball-playing brother, Seth. If it’s difficult — make it look easy. Thanks, bro’. The fun part, well, that’s me and Norvell! Okay, Video Property Video shot….

Then it was across Hampton Roads to the second location, Cahoon Plantation, a golf community in Chesapeake. We hit the grille for a late lunch, and strategy session. Linda and Alex know who they are, and brought it to the set for the afternoon. The sun broke through the snow clouds! Lunch is cut short, and we hit the links for some quick exteriors! They were joined by Golf Pro Brad Solis. Solis gave a rather rousing testimonial for Linda, Alex and their “Care Team.”

We wound it up at the Clubhouse. This was a long day, and the De La Zerda’s were troupers. They got it, though. It really is fantastic when you know the Realtors “get it” and know what they are going to do with it. When edited — these will yield five individual videos to exploit for their buyer’s, sellers’, and builders’ benefits.

Oh, and we squeezed in a cover shoot for the January issue of Hampton Roads Realtor Association’s Realtor Magazine. Great output. Great footage. Great day.

Presenting More Free Networking Opps


Find more photos like this on Real Estate Video Network

Bruce Smith Tackles Real Estate with RexNet.tv! This morning, Norvell and I were at Armada Hoffler with Danya Bushey shooting Hokie Alum and NFL Superstar Bruce Smith. Bruce is presenting Smith’s Landing, a brand new luxury apartment community opening Fall Semester 2008 in Blacksburg. Virginia Techies never had it so good!

Bruce was kind, and courteous behind the scenes. In front of the camera he was equally stellar. To top it off, I got to have another catch on set — nothing unusual for me (Norvell’s cool, but I’ve given many other directors heartburn with the practice). This time I got to play with someone who can really catch. Nice spiral Bruce! The piece will be edited soon, and we’ll post for your pleasure. Go Hokies!

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Diane Keeley and Team join RexNet.tv

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A New Medical Marketing Network


View my profile on The Healthcare Marketing Blog

NYIIFV Festival Part Deux

(Excuse me folks if you’re already reading this. I’m still writing editing, but I’m posting so as not to lose any of this.  At this stage, I’m so tired, I have little control over the fingers that could send what little blog there is right now — into the netherworld of unretrievable data.)

Little time for sleep.  My eyes feel like two lead balls, and the effort it’s taking to keep them in the sockets is tremendous!  Not too many others sleep during the festival either.  Though as it winds on — I notice more bobbing heads.  There are many resources to take advantage of, and contacts being made.

The festival is going gangbusters — Star Circle Pictures is proud to be a participant and have SAMARITAN as an official entry.  The NYIIFVF Premiere of “Samaritan” has been a tremendous success.

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Hitting the streets and pounding the pavement…a violent day of hawking “Samaritan” at the New York International Independent Film Festival!

There were some minor glitches in last night’s Premiere; nothing that couldn’t be overcome by a festival staff with a can do attitude — a staff wanting the best outcome for each moviemaker.  It was almost  like a Marx Bros. movie for a moment — which made me, “SAMARITAN” family members Jonathan (Marten if you have been keeping the thread from the previous blog), Tanya (you’re gonna have to read that blog!), Sheri Beyrau, Kathlin Gordon, Russ, and Victoria Smith feel perfectly at home with the Martens.  I keep thinking about the in one door — out the other from “Room Service”.  Really, the only thing we were missing was Margaret Dumont! 

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The 2nd Story Gang reunited:  Ethan, Sheri Beyrau, Russ (newest member), and Kathlin “Goat Mother” Gordon. 

We were originally scheduled for Screen 3 (door #1).  For technical reasons, the festival moved the screening to 5 (door #2), and then another quick tango into Screen 4 (#3!).  Most of my troopers have had years of improv experience under their belts, took the offering, and said yes!  Everyone got up good natured and shuffled off to 4.  The slight delay actually provided a few extra minutes for some key WCBS media caught in traffic to be on time (and for me to do my first stand up in years.  Hey, I think I even got a gig out it!).

The end result was a full and appreciative house, and a fantastic screening attended by Time Warner (many thanks to Jansylvette Rotger, Irina Miloslavski and Gabriel ((Zdravstvuite and Spasiba!)).  They’re editing already.  I wish you some sleep, but I know you won’t get any until after the 16th!

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“My name is Jimmy Carter, and I’m running for Producer.”  Developing the Pitch during the day:  “See the movie Fast Company Writer Adam Penenberg says is ‘remaking moviemaking.’”

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Improving the pitch by night…”Spike Lee says, ‘Better than Katz!’ Orson Welles says, ‘If I made just one film –  just one — it would have been Samaritan!’ ” Perfecting the pitch:  “Borat!  Screen 4 at 6:05.  Follow me!”

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Yo Brooklyn!!  “Samaritan’s” newest fans.  Ben, right, used to go to the Village East Theatres when just a pisher — way back when it was a leading Yiddish Theatre.  My brother, Richard was an usher here almost 40 years ago for original production of  “Man of La Mancha,” starring Richard Killey, before it went to Broadway. 

We were honored to have “El Barrio’ Director Melissa Eidson in attendence along with Editor Lucero Milchorena.  “El Barrio” is one of the movies one must target given so many choices at NYIIFVF.  Tonight, make your way to the Village East Cinemas — 189 Second Ave, corner of 12th St. (Jeez, I don’t even make you open a directory, can I make this any easier for you?) Screen 6 @ 6:10pm.  Now folks, they’re executing the screening of hundreds of movies.  Those screens can change if need be — so confirm “El Barrio” on Screen 6 when you get there.

Also attending “Samaritan” — all the way from Rome — we’re talking 25,000 Euros for the trip folks, Maxam Productions very own namesake and CEO Max Bartoli and Tabitha Bartolini (who handles marketing here in Manhattan).  His movie “Ignotus” set in 13th Century Italia is a festival highlight not to be missed. “Ignotus” is the story of a wounded Knight recalling the most meaningful moments of his life before his enemies find him to finish him off.  And, when all hope is lost….This is an award winning short in multiple categories including Best Acting, Best Short and Best Costuming.  “Ignotus” has been selected for more than 10 international festivals!

Max has a rare passion and integrity  — not only for his own work — but for the work of others.  He not only has earned the respect of his peers, but gives it freely.  He is a true cinefile in the best sense of the word.  No moviemaker has a better friend or champion.  Grazie, mi amici.

Catch “Ignotus” Wednesday, November 15, 8pm at the Village East Cinemas.  I’ll see you there.

Check out Maxam’s multiple projects at their site: 
http://www.maxamproductions.com/

JT Talent & Casting is not only a sponsor President John “JT” Thomas is a larger-than-life personality that belongs infront of the camera.  Only two problems: one, finding a screen large enough to contain his energy.  (JT — drink some chamomile so everyone can keep up); two, he’s an even better personal manager!  He’s been working this festival so hard — Ive had multiple directors come up and ask if he was Stuart Alson!  Et tu JT?  Here’s a quick hint to tell them apart if you’re just off the boat.  Stuart is the guy who is running around making sure NYIIFVF is a great success for the moviemakers.  JT is the guy with the glowing implant on the right side of head (don’t know why they call that blue thing a “tooth” when it’s coming out of your ear, but hey…) running around rangling everyone and making sure NYIIFVF is a great success.  Thanks for rounding up the troops for the premiere JT.

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Getting down to business with John “JT” Thomas at the NY International Independent Film and Video Festival Premiere of “Samaritan” outside the Village East Cinemas.

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Teaching JT how to cheat out to camera.  He learns quickly!

By the way, if you’re attending the festival you need to get a hold of Renata (I’m not going to tell you to read that other blog any more, but really…okay, just this once — Renata Lorenc).  She’s on the phone cutting deals and securing distribution all day.  It is not uncommon to see her perched on the floor, in a corner, next to the table negotiating on behalf of the entries.  Somebody — surgically remove the cell phone and make sure she eats something!

More to come!

Night Two at NYIIFVF

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The New York International Independent Film & Video Festival

is in full swing.  There are great movies to be seen and a great spirit to match.  Festival Founder, Executive Director, and CEO Stuart Alson has created another fantastic festival. 
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His amiable and adept team have outdone themselves.  Program Director/Film Committee Chief Nicole Holland has assembled an incredible lineup of more than 200 movies, seminars, parties, receptions and other networking opportunities with distributors and worldwide press.  Along with my Award winning Producer Brother, Actors Repertory Theatre Artistic Director Jonathan Marten, we dove into the deep end and drank of its waters.  Mmmmnnn, tastey!
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Festival Director of Marketing Renata Lorenc at the Telephone Bar and Grill.  (Sleep is not an option!)

Festival Director of Marketing Renata Lorenc and Director of Publicity Briege McGaritty hosted a networking luncheon at the Telephone Bar and Grill on Second Avenue full of laughter as well as serious shop talk. 

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Ethan and Briege making plans at NYIIFV Festival 2006

Ms. McGaritty has been called every name she can think of over the years.  “I’ve been called Brie, even Breast (by one fellow whose Freudian slip was showing), but don’t call Briege Brittish.  She’s an Irish Rose through and through!

Marketing Wiz Valerie Nicholas, a former vegan, is sinking her teeth into film success (and the chicken wings!).   Valerie, who prefers her comedy on the edge, was on her best behavior — almost.  Years ago she started out with Champion Cigars, went to work for the Cyber Boxing Zone, and has parlayed that into a film career — this night having exhibited “Out of Ali’s Shadow:   The Larry Holmes Story.”
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“I get all European media,” says Briege as she, Jonathan, and Valerie Nicholas discuss the division of the World Press.

The  house was packed with luminaries, including the former Heavyweight Champion himself.  Holmes, who has been greatly overlooked is finely receiving the respect that has been due. 
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Ethan and Former Heavyweight Champion Larry Holmes at the openning of
“Out of Ali’s Shadow:   The Larry Holmes Story.”  I’m wearing my mouthpiece — just in case.

Writer/Producer Evan Grant brought all the mishpucha to celebrate his six-year-long journey to the big screen. Executive Producer (and writer of Cinerella Man) Mike DeLisa had his family in on the celebration as well. 
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Ethan with “Cinderella Man” Mike DeLisa

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“You may be my friend, but I’ll drop you in 10!”  Clowning with Executive Producer Mike DeLisa, who responds, “Don’t give me that jive — I’ll take you in five!”  The smart money’s on DeLisa.

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From right:  Writer-Director-Producer Evan Grant, Pulitzer Prize Nominated Writer Thomas Hausen, and Little (litterally)
Ol’ Ethan

Legendary trainer and commentator Teddy Atlas lent his talents on screen as well as in person.  For all of Atlas’ accomplishments, and training of champions, he remains humble.  
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Teddy Atlas — a class act — all the way. 

He pays tribute to his late father with the Dr. Theodore Atlas Foundation, awarding scholarships and grants to individuals and organizations.

HBO’s 30-year veteran of all things boxing  Larry Merchant was was on hand as well as Pulitzer Prize Nominee Thomas Hauser, who has been at work creating a romantic comedy!
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Larry — you were robbed!  There was no way you didn’t win the decision!  What’s next for Team Merchant?

“The NYIIFV Festival is a great stepping stone,” Valerie explained.  “It has great resources and opportunities for film makers.”  Last year Mike Delisa’s “The Superfight Marciano vs. Ali” won the Festival’s Screen Craft Award. Since the Star Circle Pictures business card  made it into her “Elvis” card case, and not the plain card case –  I know we’re going to be a success!  You rock Valerie…literally!
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Three Icons.  Elvis, Star Circle Pictures, and the hand of a Media Goddess…not necessarily in that order!

Marea Productions and Cannes 2006 selection “El Barrio” Director Melissa Eidson was kindness incarnate.  As my bloodsugar dropped — she slid a plate of fries in my direction!  Many thanks Melissa. 
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El Barrio Director Melissa Eidson is an artist with compassion as deep as her talent.  Her empathy for the human condition is the heart of “Barrio.”

The journey of “Barrio” began in Harlem, where Edison tought and learned from her young students.  She brought her teaching credentials to a Brooklyn school.  The way the public perceived it, “the next stop for a lot of these kids was Riker’s Island,” Eidson said.  “We had these kids doing Shakespeare!” 

After this, was a blur of events and activity including a stay with a cool uncle — a drinking, Priest-philosopher in San Miguel — a tip toTahiti to relax and write poetry, and a baby.

All these experiences and more went into the creation of El Barrio, a story of strength, endurance and ingenuity as seen through the eyes of the people of Mexico City.

“I  have an affinity for these people,”  Eidson  says, “I feel alive with them — they are survivors.”

All photos by Jonathan Marten — even the ones he’s in!  What can I say, he’s amzing.  Okay, I took those, but you were wondering how he did it for a second — weren’t you?  More tomorrow, including the Premiere of Star Circle Pictures’  SAMARITAN.  Good night — I mean good morning!  E.

Monday, 7 November 2006.  

It’s 3 days before the start of the New York Independent Internaional Film and Video Festival.  Kelley Davis, SAMARITAN’s Mrs. Gredenko is sitting down for a little chatter over coffee.  

Kelley Davis:    Make me witty and adorable.

Ethan Marten:    Kelley you already are.

KD:     Gracias — I say that because that’s all the Spanish I know.  Actually, I know how to say cervesa as well, and donde esta el bano…

EM:      Sorry, I can’t type that enyae….Nice hat by the way, what is that — a herring bone railroad hat?

KD:    Thanks, it’s actually my husband’s, but I think it looks better on me.  I grabbed it anyway.

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On the waterfront with Kelley Davis.                                    Photo by EEM

EM:    You had a car accident about two months ago. You look great.  How are you feeling?

KD:    I’m finding you never really recover completely.  Rest isn’t an option, chiropracters, muscle relaxers, working out, but not necessarily in that order.

EM:    Muscle relaxers first?

KD:    Yes, but not before teaching classes.  (Winks.)

EM:    I know you’re only joking.  You were spot on on the shoot.

KD:    (Laughs, but admits nothing….)

EM:    Where were you born?    

KD:    Born in New Mexico — moved to Las Vegas when I was five.  Lived there for six years.   Kissed my first boy in Kindergarten (I went back when I was16!)  I shocked him.  I ran up grabbed him and then ran away.

EM:    See, you were born for the theatre!

KD:    I have one older brother, Greg.  We were raised in a military family, so we had to be close.  Always moving, losing old friends, and trying to
make new ones….Dad was a Luitenant Colonel in the Air Force. Greg and I are very different.    He is silently protective.  I am such a mind speaker -my friends have accused me of having an undiagnosed case of Teretz.  Anyway, he expresses how proud he is of me.  He’s a chemical engineer.  I tell him he has all the brains — I have all the looks.  He was very concerned when I started studying theatre.

EM:    I guess it confirmed his darkest fears –

KD:    That his sister was insane?  Possibly.  He’s a chemical engineer, what kind of career can a theatre provide?  He came to all my plays, but he saw me in Tennessee Williams’ Talk to me about the Rain, and let me Listen at (CNU) and finally smiled.  “Damn, you can actually do this.”  He didn’t worry about my ability to eat, pay my bills (and hit him up for money) after that.   

EM:    So you said you originally intended to become a social worker.  When did it hit you that you would rather act (and possibly need the services of a social worker) than be one?

KD:    Always, ever since I was little.  I just didn’t consider it a viable job.  I was misserable studying — so I took two years off of college.  Though Mom and dad were less than thrilled at the prospect — they supported me finding my way.  One night over a couple of glasses of wine with Mom (you know, wine equals truth,) Mom asked, “If you had it all to do over again, what would you do?”  No hesitation, first thing that came out of my mouth, “theatre.”  She said, “Then, why don’t you.”  Next day I registered at CNU’s theatre program.  Worked my little tushy off, and loved every second of it.

EM:    You earned a nickname on the set —

KD:    Ya — I think it was Swollen Ass.  I was trying to be all macho and do my — well I wouldn’t say macho — I’m all girlie — no I’m not –

EM:    Split personality maybe?

KD:    That’s why I am an actor.

EM:      Picking up the thread –

KD:    I insisted I didn’t need a mat for all the pratfalls…I didn’t realize I was going to hit the ground so many times.

EM:    We actually got the shot on the first take.  I think your nickname should have been Buns of Steel!

KD:    Oh really?!

EM:    Na — I’m just screwing with one of your personalities.

KD:    Which one?

EM:    The girlie one.  The macho one doesn’t care!  But like the Buns of Steel thing.

KD:    Girlie Personality likes it too.  Thank God Kimball (Director Kimball Carr) insisted I be safe and comfortable, and made me use the mat.

EM:    How did you hear of SAMARITAN?

KD:    Call from my agent at Atlantic Talent. She asked me if I wanted to audition for this film –

EM:    25-cent fine for the film comment!

KD:    Forgot about that — you need a jar!  I wanted to audition for this ground breaking high definition movie project that I knew nothing about.

EM:    So when you found it was another Indie pic — you couldn’t wait to jump on board!

KD:    I only hesitated slightly.  (Another wink, and more laughter). 

EM:    You were tentative?

KD:    Yes.  Good word.  I tell my acting students any experience is good experience, however, I’ve been around long enough to know you have
to develop a sense of what will help you grow as an actor.  You can have an experience that isn’t necessarily the best, but you still grow.

EM:    I imagine you might also feel that you get to a point where you might want your learning experiences to also be pleasant experiences.

KD:    Very true.  It was amazing.  Script was amazing.  At the audition — Johnny and I were discussing the intelligence of the script, and how rare
that is.  That sounds terrible, but it’s true, and how it didn’t reveal too much.  I think a lot of writers underestimate the intelligence of their audience.
I don’t want to speak for Johnny, but I think he felt the same as me.  SAMARITAN was really good, and it had the burden of “Indie movie.”  Truth about Johnny’s character — there were not a lot of actors that could manage that character.   The language was precise, and proper.  “No I do not,”  not “no I don’t,” small example, but indicative of the character.  Otherwise it would have rung false and awkward.”

With my theatre background I’m used to sticking to the written word.  It was a strange feeling moving into film, and having a little leeway with what was on the page.  Of course, with really tight scripts — I wouldn’t dream of improving or improoving what’s on the page, but let’s face it — when you start out — you get a lot of crap.  The key is to recognize this, stay true to your character — without being a pain in the ass on the set.  We have a job as an actor to make people believe that our words and actions stem from truth, and I think at times it’s harder to sell than at other times.

EM:    So Samaritan was a soft sell?

KD:    Because of the way you constructed it — the script, casting, direction — I loved the way Kimball directed — giving you something and then getting out of the way.  That could be taken the wrong way, what I mean is — he tells you what he wants and instills the confidence in you that he believes you can give it to him.  He was very courteous and respectful.  He was accomplished in his job and allowed you to execute yours.

EM:    See — witty, adorable AND intelligent!  Tell me a little bit about your character, Mrs. Gredenko.

KD:    I liked, at least, I wanted to portray some strength and obviously she’s upset (she’s been in the middle of a shooting) she could have been blubbery.

EM:    You showed a great deal of vulnerability, and yet your character had a great deal of strength.  That one look you give after Victor whispers in your ear — that was amazing.  I’m going to cross the actor’s line and ask what your secret was — what were you thinking?  What’s behind that look?

KD:    I was gonna say I never reveal my secrets, but I will say that it was meaningful to me as a person.  I had my own traumatic experiences to draw from.  There was more in the script to draw from for the actor than was put on the screen, so for me as a person — I’ve never had a Victor in my life or been a witness to a shooting or a robbery.  So if I actually had been through such a trauma, what would I want said to me to give me strength.  I always try and have my own secrets — my own internal dialogue to deliver a truthful character.

EM:    What was the biggest suprise?   

KD:    I just wasn’t expecting to have so much fun.  I knew I liked your personalities and your audition process off the bat, you seemed genuinely nice; but when you guys explained what you were trying to do with this
project — how much we had to do — in such a short window (81 set ups, 2 nights) — I was expecting a bunch of pissed off, cranky people!
   
EM:    I thought you were going to say you thought we were out of our fucking minds.

KD:    Well, that too. 

EM:    So instead?

KD:    One, everyone was so nice, and two — I don’t think I saw one person blow up even once.  You just don’t find that on any set, really.  That peaceful nature in such a dynamic atmoshphere.  I was expecting complete stress.  Not me per se, but I thought  — I was shocked.  I thought there was no way in hell…Oh God what have I gotten myself into?

EM:    Now we’re getting to the ugly underbelly! 

KD:    (Laughs)  Maybe an extra day or two of shooting will work in my favor!  The hair and makeup, the lighting people — the chiropractor — all so nice!

EM:    Dr. Dan — the chiropractor isn’t gonna like hearing about the muscle relaxers.

KD:    Tell it to macho personality — a Girlie Girl has got to do what a Girlie Girl’s got to do.

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“A Girlie Girl gotta do what a
Girlie Girl gotta do.”  –  Kelley Davis         Photo by EEM

EM:    Give me a preview of your Oscar speech.

KD:    Really?  Oh my Goodness.  Oh Wow, More than anything in the world I would have to thank my parents.  They are the only reason in the
world I have been to sustain this.  My courage and belief in myself stems from their belief in me.  Any time I have lost faith in myself — their belief in me has helped me have the strength to believe in myself. 

EM:    Don’t you want to know which category you were nominated in?

KD:    Oh Good Lord — WHAT– OH no!

EM:     You tell me.

KD:    Well, I would win for best kiss. 

EM:    Lucky Wendell. (The hatless husband.)

KD:    Lucky me….

EM:   Good save since you didn’t thank him in your Oscar speach!

KD:    (More giggles)  Hmnn…Best suppooooortiiiing — I’m underestimating myself –

EM:    What would Mom and Dad say?

KD:    Awww.  Cutest Actress in any film.

EM:    Awwww.

KD:    But I would say, “Best Ass-Fall in a Drama.”

EM:    You’ve got my vote.  Speaking of which — you hit the polls?

KD:    Of course.  Vote, but vote for the right people!  I’ve got my views — but that’s a whole other interview.

EM:    You looking forward to New York and the Festival?

KD:    Yes!  I love N.Y., and to have my movie in a NY Festival — I called all my family and friends.  People’s reactions were animatedted.  I’m feeling overwhelmed. It was as if I had progressed to another level in terms of the acceptance of my work. It’s slightly scarey, because I don’t like watching myself on screen, but I’m proud.  From the moment I read that script — I wanted the part.  The actors cast, J. Michael Hunter, Johnny Alonso — great resumes, great talent.  Great script.  That’s why I wanted it.  Did I get paid?  Yes.  Was I treated well, and with respect on the set? Yes.  Did I think I’d be having a premiere at a prestigious New York festival?  No.  The rest of
it — the chiropractor the pay, the catering (really good).   Especially the festival, I thought — this is wrong — this can’t be happening!  Not because I didn’t believe in the project, but because it was so surreal — it was a big deal. 

EM:    Okay, I think we’re about done, not that I’m throwing you out of the house or anything….Should we do the Barbara Walters thing?

KD:    What’s that?

EM:    If you were a tree — what kind would you be?

KD:      A Dogwood.  But do I have to say why?

EM:    You do now.

KD:    I don’t know.  I have one in my yard that needs to be planted! 

EM:    C’mon —

KD:    Okay, because they look  just like ordinary trees, but then they blossom and have these beautiful flowers.

EM:    That’s a very beautiful sentiment.  Of course then winter comes….

KD:    (Laughs)  Jerk!  (More laughs)

EM:    Barb knows what she’s doing.  What kind of animal would you be?

KD:    A chihuahua — owned by me, because that pup has a gooooood life!
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Puppy Love…“She’s not really
that spoiled…well maybe a bit.”

EM:    If you had to wear superhero underoos — which would they be and why?

KD:    I had Wonder Woman ones when I was little.

EM:    How long ago was that?

KD:    Two years ago.  I don’t know who I would wear wear?  I’m my own superhero?

EM:    You trial ballooning that?  I didn’t know that this would present such a challenge.

KD:    I’m afraid of heights — so I don’t want any flying superheroes.  I would love to be invisisble, but that would present its own problems –

EM:    Sure, and then how would you find your underwear, anyway?!

KD:    Very true.  Audrey Hepburn!  She was an extraordinary actress who overcame her own insecurities and then spent most of her life giving back.  She was UNICEF’s Goodwill Ambassador.  I would like Meryl Streep underoos, too.

EM:    You’re on a roll now!

KD:    She is just an amazing actress.  I love her.  She loves me, too…she just doesn’t know it yet.  She would be at the top of my list for actors I want to work with. 

EM:    Me, too.  Well, Kelley Dear, Buns of Steel, Macho and Girlie Girl — it was wonderful having all of you over today.

KD:   Thank you for the opportunity and for the nuts and cappuccino.  See you in N.Y.!!!

EM:    Almonds.  We don’t want the kids to get the wrong idea!

KD:    The foam was great, too.

EM:    You are witty and adorable to the last.

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Visit Kelley’s My Space:

Let’s have a DiaBlog

I’ve been writing most of these thoughts down as much for myself as anyone else, because, hey, I’m not sure anyone really reads my random thoughts or ramblings other than, well, me. Hmnnn.

I am as interested in what you, my imagined reader, has to say. I want your thoughts, your opinions about creating, producing and bringing movies to the market–a diablog, so to speak. I’m approaching the business of the biz from an actor/producer point-of-view. Marketing is also a part of my background. Mostly, I’m a regular sort who would like to do business with friendly, creative people. I was as proud of the way we executed the production of Samaritan as with the finished product. I’d like to share some of that experience with anyone who is interested; and I’d like you to share your production experiences/achievements, as well. If I have developed a friendship or a relationship that can help one of you — I’m more than happy to share it without expecting quid pro quo.

So anyone dreaming of motion picture independence or making a living as an actor, share your questions, as well as your answers. Some of you who have already been invited to participate have more experience. If you are willing to share your experience — I would be grateful.

One request for all who choose to participate. Diversity is welcome; however, I ask that the questions and answers be constructive and respectful in nature, with the intent of mutual growth and support of everyone’s dream of motion picture and creative independence.

Thanks for indulging me.

Best,
Ethan

Marketing Your Indie Movie

This was a letter to FilmDailies.com a filmmaker’s Blog. There had been a flap concerning the length of Samaritan, and that we were taking advantage of the technical first we had achieved to market our baby. I thought some indie folks were missing the point. If your Indie project screens in the forest, and you’re the only one clapping with one hand…does it make a sound? Anyway, I hope this helps some of you get the word out.

ethan-camera-atlantis-down

Hello Kraz. I am enjoying your site. I have seen a great deal of debate over the length of “Samaritan.” We are just movie makers wanting to create and needing to get the word out like everyone else. I’m puzzled by the controversy regarding the movie’s length. The first reference to Samaritan in the digitalfilmmaker.com story that started it all clearly refers to it as a “micro-feature.”

(From digitalfilmmaker.com)
Samaritan

Digital Filmmaker: “Star Circle Pictures based in Virginia Beach, Virginia has just wrapped production on a micro feature called Samaritan, the third venture for Star Circle, which represents the next chapter in the firm’s evolution. The project was shot for the express purpose of demonstrating the company’s belief in cost efficiency, faster production flow and good quality.
(End quote)

Has Star Circle Pictures pioneered a new phrase as well? I don’t think so,[actually, it appears we did!] but it is clear, Star Circle never referred to Samaritan as a full length feature. Hopefully, that will help mitigate if not stop the misapprehension.

You made an astute observation:

“Heres an indie producer whos learned his lesson well. This techie interview will probably get him more exposure (at least in indie circles) than all the PR about the movie itself.”

Though Digital Filmmaker is doing a follow up story on the movie — the hard news for their audience was the completion of the first movie to use the Panasonic AG-HVX200.

We believe movies need an audience. Something movie makers need to understand is that in order to obtain that audience, they need to be aware your movie exists. On many levels it is very difficult for an artist to “market” his/her work. Some find the marketing aspect distasteful. You believe everyone should understand that you’re a serious artist who has put blood, sweat and tears into making it, and that should be enough. To a certain degree, this is understandable, but its not a healthy attitude for the life of your motion picture. Some just know how to make the movie, and hope sheer love and passion for the project might rub off on others. I am so proud of my team and its efforts, and am willing to find the angles that will bring my movies to light and thereby light up screens. It is more important to us the independent movie making community when we have launched and even completed a picture. Not as much so for your own local media, much less a national media. To them, we’re one of maybe 1,500 indies a year. [I believe Sundance had 1,700 submissions this past year.] To top it off, unless you come from a major market or at least out of state the fact that you’re a local is usually a hindrance to getting serious coverage. Don’t fight this. Understand it, and work with it. If you’re talking to the Digital Filmmaker and other national media forums understand what that editor knows his core audience is first and foremost interested in. If you’re talking to your local media understand what makes your story news to them, too. Knowing the seven criteria for news will help each movie maker get the word out on his or her film as much as the movie itself. I’m not a proponent of this reality — just a realist.

Here they are, courtesy of Jack Driscoll: Timeliness, Importance, High General Interest to Public, Relevance, Involves Public’s Right to Know, Involves Public’s Need to Know, Whether Story Informs, Educates, Guides or Entertains Reader.

Best of Luck [broken legs] to all our Movie Making Family. May your efforts be rewarding and rewarded.

Ethan